My Kid Could Paint That

This Knee is a Royal Pain: Disney Princesses & Art

Greetings, loved ones. Let’s take a journey.

Disney princesses: idolized by youngsters, teenagers’ love life aspirations, adults’ worst nightmares. A never-ending nap? A girl taken hostage by a beast? A girl with hair long enough and strong enough to climb? A mermaid that becomes human? A maid who marries a prince? Where did Hans Christian Andersen, the Grimm brothers, and the other writers get these creative ideas? Let’s take a look at some possible inspirations.

Painted in 1863, it is a short 96 years before the creation of Sleeping Beauty in 1959. The three cherubs directly about Venus represent the three fairies in Sleeping Beauty, Flora, Fauna, and Merryweather, fretting over Sleeping Beauty. The far left cherub stealthily flying away depicts Maleficent content with her actions. She will soon be followed by her raven accomplice, who is presently occupied with a seashell.

The Birth of Venus is based off of the myth of Venus's creation from sea-foam. The light colors of the sfumato technique Cabanel used helps glorify and draw attention to her beauty. However, the painting is lacking the notorious dolphins and her chariot shell. Some critics believe the moment painted is the moment directly after her birth, so the chariot shell and the dolphins have yet to arrive. At the time, nude paintings caused an uproar, shown in the negative reactions to Olympia painted by Edouard Manet. Manet’s painting was painted the same year as The Birth of Venus and also had a similar composition, yet Manet received much more criticism. Venus’s popular myth, along with her relaxed stare and pose produced a painting that was acceptable for viewers, since painting such a classical subject makes nudity tolerable.

When we read there of how the longed-for smile
Was being kissed by that heroic lover,
This man, who never shall be severed from me,

"Trembling all over, kissed me on the mouth.
That book — and its author — was a pander!
In it that day we did no further reading."

While the one spirit spoke these words, the other
Wept so sadly that pity swept over me
And I fainted as if face to face with death,

And I fell just as a dead body falls.
- Inferno, Dante, Canto V

The story of Francesca da Rimini and Paolo Malatesta is a tragic one of two lovers kept from each other because of her prior commitment to his brother, Gianciotto. The engagement was a seal to the end of a war between her and his father, but Gianciotto was an ugly and disformed man, therefore Francesca would never knowingly agree to the marriage. In place of Gianciotto, they sent his younger, more attractive brother, Paolo, to bring the marriage contract to Francesca.

She fell in love with him instantly and signed, only to find out the next day that she had been tricked. Paolo and Francesca continued to meet in secret, but as all secrets go, theirs was found out shortly after. Gianciotto came home from a meeting early, because he heard about the affair. Walking in on an unsuccessful escape, Gianciotto went to stab his brother, but out of instinctual love, Francesca stepped in front of the blade, dying instead. More enraged than before, Gianciotto successfully ended his brother's life.

In Dante's Inferno, he meets the lovers in the second circle of hell. There, she tells Dante about her husband and how he has been sentenced to the ring for familial betrayal, named Caina, after Cain and Abel, while Francesca and Paolo are kept in hell for adultery.