On the Banks of the Seine, Bennecourt

12:00 AM

Claude Monet, On the Banks of the Seine, Bennecourt, 1868
Claude Monet’s On the Banks of the Seine, Bennecourt marks a shift in what was acceptable to paint. Previously, most art focused around a central theme or concept, often using symbolism to convey ideas. Monet and other impressionist artists broke away from the traditional formula and instead painted scenes of everyday life containing no additional symbols. Instead, they attempted to instill feelings of peace and appreciation towards the simple beauty of one’s surroundings.

This particular painting depicts a young woman enjoying a day of relaxation and boating. Monet’s masterful execution of the reflections makes this painting stand out. The reflected house appears to be shimmering and rippling. The tree branches dominate almost half of the painting, yet Monet manages to prevent them from feeling overbearing or obstructive. On the opposite bank, a couple can be seen, similarly enjoying the day. The beautiful molding of colors and the carefree simplicity of the painting fill me with a feeling of youth and tranquility. Monet shows one doesn’t need complex metaphors or symbols to create a sophisticated work. Nature will do just fine.

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