The Gleaners

Jean-François Millet, The Gleaners, 1857
By NAYOUNG KWON

Also a feature on Animal Crossing game, The Gleaners by Jean François Millet showcases the realistic view of poverty within the society during the industrial time, but also displays a sympathetic view towards poor, low ranked peasants. However, this piece was a way to critique the unfair treatments of female laborers. The day he showcased this painting, it drew many negative comments from the French middle and upper class because it was a reminder that French society was built from the labor of working classes. On top of that, the fact that Millet created this piece in such a huge scale, depicting labor classes ended up making it worse for the public eye. 

Millet painted with oil on canvas and  divided the composition in half. the top half can be seen as a city where its clean and calm with pinkish blue skies. However, the bottom half of the painting, we can see the peasants working in an unlikeable setting. The ladies are set in a triangular composition from right arm of the women with the blue hat connecting to the women with green hat. They are also in the center as a focal point to strictly depict the poor working class within the painting. The colors are set in a neutral tone so that the women seem as if they are blended with the ground. 

  • 7:00 AM

Olympia

Edouard Manet, Olympia, 1863
By NAYOUNG KWON

Chapter Five of Richard R. Brettell's book of Modern Art talks about the theme of sexuality and the body within paintings. He suggests that paintings that consist of nude figures try to engage and challenge the viewers of thinking deeper about the representation of a human body and the behaviors behind it. Since "female" nudes were considered to be scandalous during the time period, critiques judged harshly and were considered "dirty," and  improper subject for viewing. However, as Brettell suggests, Manet treats the nude fairly flat and suppressed the illusionism within the painting above. Olympia, the most question raising painting that Manet have ever creted gained many attractions, and had popular view ratings by men. With the bold shameless pose and gaze, and the acceptance of her body grasped the attention of many has left the viewers feel vulnerable.

Manet's painting of Olympia was inspired by couple of artists such as Giorgione's Sleeping Venus, and Titian's Venus of Urbino. With the composition of a frieze and diagonal line coming from the top of Olympia's head which leads down to Olympia's foot shows the delicateness of the figure. Using the toned down cool colors, the painting gives not only calm vibes, but also the feeling of stiffness. Porcelain-like skin of Olympia gives of the youth and the innocent feel in the painting.
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The Raft of The Medusa

Théodore Géricault, The Raft of the Medusa, 1819
By NAYOUNG KWON

Theodore Gericault completed The Raft of the Medusa, which eventually became the icon of Romanticism, when he was only 27-years-old.  The painting itself portrays the tragic incident that happened in 1816. The story of the Raft of the Medusa is based on a French Royal Navy Frigate that sailed in 1816 to colonize Senegal. Due to the shortage of lifeboats, those who were left behind built a raft for 150 people who went to physical and mental extremes in order to survive. They were physically tired and hungry and to survive they had no choice but to slaughter the weak to feed those who are desperate to live.

Putting in intense amount of research and dedication, the painter drew his inspiration from who survivors of the Medusa. He carefully dissected the subject piece by piece, documenting and questioning the survivors their trauma of exact details of the ship and the environment that they had to go through. Also, he referenced the rotting bodies of the corpses from hospitals, carefully examining the wounds.

Before starting on the painting, he created multiple sketches and created wax models to lay out many possible compositions. The final composition of the painting is played out in two pyramids overlaying each other in the center.  The style of the painting was inspired by the style that Caravaggio's practiced known as chiaroscuro. The style uses strong tonal contrasts between light and dark to show three-dimensional forms and display dramatic effects.
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A Dream

NightFerdinand Hodler, 1890

A Dream
By EDGAR ALLEN POE

In visions of the dark night
I have dreamed of joy departed
But a waking dream of life and light
Hath left me broken-Hearted.
Ah! what is not a dream by day
To him whose eyes are cast
On things around him with a ray
Turned back upon the past?
That holy dream- that holy dream,
While all the world were chiding,
Hath cheered me as a lovely beam
A lovnely spirit guiding.
What tough that light, thro' storm and night,
So trembled from afar
What could there be more purely bright
In Truth's day-star?


Editor's Note: Students were asked to pair a poem and painting with no explanation of the connection. 



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Jupiter and Thetis

Jupiter and Thetis, Jean-Auguste Dominique Ingres, 1811  
By NAYOUNG KWON

Jupiter and Thetis is based on the book of Iliad that begins with those who participated in the Trojan war, Agamemnon and Achilles. In their honor and bravery, Agamemnon, the king of Achaeans, and Achilles, the son of a sea nymph Thetis, both receivesprizes. Agamemnon, must give up his prize (Chryseis) in order to prevent a mass famine; Achilles was forced to give up his war prizes to Agamemnon. Feeling disrespected, Achilles prays to Thetis for his sorrow of losing his honor, and he begs his mother to speak to Zeus. Thetis manages to speak to Zeus and convinces him to do what she wishes.

Ingres portrays contrast between female and male power in the painting. This can be seen through the delicate and curviness of Thetis's body and the broad, muscular body of Zeus. It shows the dominance of male over female. However it's interesting how Thetis easily manipulates Zeus by her erotic hand gestures. She is gently stroking his beard and she's leaning closely onto him as Hera watches them. The triangular composition in the center of the painting slightly suggests triumph of Zeus's power, and halo-like faint black lines can be in the back of Zeus's head. The eagle resembles Zeus representing that the animal sees everything like the God himself. The color of Thetis's dress compliments the red cloth of Zeus and also contrasts the cobalt-blue sky. 
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Astronaut

Nicolás Paris, Astronaut, 2011
By NAYOUNG KWON

Dear 2018 classmates,

At last, the end of our senior year is just around the corner. Where all of us would soon split apart to live the life as an independent beings. We grew up in this school like siblings, caring and supporting each other. We shared generous amount of memes, hatred, laughter, and creating unforgettable memories that will forever last. There will be a feeling of emptiness after the ceremonies, but that  feeling exists so that you can make more new memories with the people you love in the near future.

I wish spent my time more wisely at this moment because as time goes by I feel more emotional to leave this place... I remember telling my 14-year=old self how time should go faster just because school was just a daily burden and a place to kill time. When really I shouldn't have complained and just treasured each moments of spending time with you all.

There will be tears and broken hearts on the last day of our high school year; but like an astronaut, we will float and wonder about what's ahead of us as we unfold our future little by little. I thank you for these precious memories that I will treasure and probably will laugh about before going to bed. I thank you for all the warm and fuzzy feelings of happiness you guys have given me. I thank you for  the grade dramas, chitchat sessions, and just pure confusion. Finally, I thank you all for all the numerous hugs for the past years and making me feel special for being myself. Since we have few more months left together (or more), I hope to build more unforgettable memories with you all.


Sincerely,
Nayoung 


P.S. Happy Thanksgiving, love ya guys.

Editor's Note: Students were asked to give a painting to someone they cared for. These are their moving responses.
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The Glorification of the Barbaro Family

Giovanni Battista Tiepolo, The Glorification of the Barbaro Family, 1398–1454
By NAYOUNG KWON

Soft, smooth pastel-like textures and majestic poses of mythological creatures are one of Tiepolo's specialties. The Glorification of the Barbaro Family was originally a mere decoration for one of the rooms in Palazzo Barbaro owned by a patrician family of Venice. The family was wealthy and influential within the city, and the members include church leaders, diplomats, patrons of the arts, philosophers, scholars, and scientists. Within the painting, the elements that represent the Barbaro family can easily be spotted. In the center, we can see the Valor, which shows the triumph of power and courage, beside the lion, Fame blows trumpet as she holds the olive branch.  In he left right bottom corner we see Prudence holding a snake, and Nobility holding a statue of Minerva. Tieopolo's The Glorification of the Barbaro Family captures and introduces intelligence and hierarchy of those who are educated. 

Tiepolo an Italian painter has been labeled as the best decorative painter of the Rococo era and is well known for his innovative techniques for luminous finish. The painting above consists of many triangle compositions (for the focal figures), but also 3 out of 4 values of major composition: frieze, Convex and float. When seeing this painting in person at the Met, it impressed me how Tiepolo incorporated so many different color values using only seven different primaries. Although the colors aren't as bold or crisp as other artists, Tiepolo captures the attention of the viewers by using complimentary colors and smoothening the lines so that the whole painting becomes harmonious. 
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Art History Hotties: Portrait of Countess Urszula Mniszech

Portrait of Countess Urszula Mniszech, Dmitry Grigorievich Levitzky, 1782

By NAYOUNG KWON

The Rococo period influenced many European countries with elegance and delicate looks. Russia was one of those countries that was heavily influenced and carried the trend till the 18th century. Not only did Rococo influenced paintings and architectures, it also set the trend of female beauty. During the period, many young women used makeup to glow themselves up (this only applies to wealthy, though). For this week's Art history hotties,  Portrait of Countess Urszula Mniszech makes the cut for perfect example of a girl who went from wearing paper bags to a full face glam.

This painting is an example of the pure look that Russia aimed for during the Rococo period. The Cotton candy like hair and a "touch" of blush on the nose, cheeks and eyes can make anyone look flattering and innocent. In our society today, we follow the motto, "Beautiful without makeup" but it seems that it does not apply in this era at all. But no one seems to mind and the artists who paints these models most certainly doesn't mind either.
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Scull

 Jean-Michel Basquiat, Scull, 1981
By NAYOUNG KWON

Focusing on topics of 'Suggestive Dichotomies,' young Neo-Expressionism painter, Jean-Michel Basquiat questions the people of 20th century. Touching on sensitive subjects like wealth vs. poverty, and integration vs. segregation, his abstract-like paintings have provoked discussions and grasped the attention of critics and fans. Born in Brooklyn, New York in an African-American household, Basquiat experienced the unpleasant side of life. 

At age 7, Basquiat was involved in a minor car accident that put him into a hospital. From that moment, Basquiat was forever interested in the complexity of the construction of a human body. In the painting Scull, despite the head having teeth, a nose, and eyes the painting shows the decaying of the face, which symbolizes an incomplete human being. Basquiat uses abstract lines and shapes of graffiti to cover the right side of the face giving the illusion of skin being there. By looking at the train-track like lines that could have been based off of the NY subway, he could have presented the world this piece that may represent his struggles of running away from home and exploring the chaotic side of life in New York. He uses bright complimentary colors of blue and orange to simplify the painting and emphasize the focal point, which is the head.
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Watusi (Hard Edge)

 Alma Thomas, Watusi (Hard Edge), 1963
By NAYOUNG KWON

Watusi, a popularized dance move during the 1960s, became an artistic inspiration for a late bloomer painter Alma Thomas. Thomas, an African-American, sees her world in a simpler form and any distraction is removed during the process of creating her work. Her colors are bold, and bright and resembles the nature in most of her works. Although her debut as an artist was delayed, she received numerous recognitions for her delicate but bold works in the world of modern art.

In order to understand her paintings deeper, the viewers must look at it in a bird's-eye view for most of her works. In Watusi (Hard Edge), she uses vivid and hard edges of shapes to portray the wild movement of the dancers in the center. The blues that surrounds the dancers in the center can be seen as the crowds. The color pallete of her choice for this painting is subtle, calm and pleasing to the eyes, and the use of her negative space gives the painting chances to breathe.



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Color Theories: Mark Rothko

Mark Rothko, Black on Grey, 1970

Color Theories
By  NAYOUNG KWON

Black on Grey portrays the life of the world renowned abstract expressionist Mark Rothko. He became well known for the ability to swiftly create modern pieces that expresses the way he sees the world. From multiple unbearable depressions and unstable pressure that Rothko's art career becomes a long ride of a roller coaster. In his earlier time of his career in art was moving steady and different transitions can be seen through the colors that he use.

The painting consists two colors of black and grey, but the grey is layered with fine layers of different tones. It can also be noticed that there are no concept of space which creates a feeling of isolation and loneliness. The color black itself can be seen through the personality of Rothko. The color feels secretive, serious yet it holds power and control, but releases sadness and these colors portray how Rothko felt over the years of his life and his career. It can be sensed from the painting that Rothko could have needed to break away from the pure pressure and frustration that he had built up. Self-denial and not being able to enjoy the little things even though he wishes to. However, it takes strong mind to create pieces that show one's true void of emotion because it's difficult to find out how one truly feels about themselves. Being able to express his sorrowful lives by choosing and laying out desired colors without being scared of those who critic is truly incredible.
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Color Theories: Gustav Klimt

Gustav Klimt, The Park, 1909-10 
Color Theories
BY NAYOUNG KWON 

Gustav Klimt, an Austrian Symbolist painter became successful for his gentile female portraits and using materials such as gold leaf. His delicate touches within the paintings give calming effects to those who see it. From his childhood Klimt was gifted with artistic talents that enabled him to grow as a fine artist despite living in poverty. With his dedication to use his skills efficiently, Klimt observed other artist's techniques and tricks to create his very own style. His observation and practice has provided him with success after success in the world of art. 

Green, the color of nature - symbolizing growth, harmony, freshness, and fertility -  becomes a part of Klimt's art career. Green shows few characteristics in Klimt, such as stability and endurance of competitors, and the ability to move forward with out hesitation or flinching. His development of his own style quickly grows like the trees in this painting, The Park. This painting consists of different cool tones of analogous colors (Yellow, Green, Blue) where green and blue provides the focal points and yellow used as a touch of highlights to show warmth. The painting is symmetrically pleasing and the collaboration of colors come together and create satisfaction when looking at it.
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Color Theories: Franz Marc

Franz Marc, The Yellow Cow,  1911 
Color Theories
By NAYOUNG KWON

Born in Germany, Franz Marc became an iconic figure during WWI, for his courageous actions in the battlefield. Not only he successfully gained honor in the war, he was famous for his bright, and colorful paintings. Over the years of his art career he developed his own code to portray his emotions and thoughts through color. The color blue is used to portray masculinity while the color Yellow was to show feminine, joy, and softness, and finally red portrayed the blocking the sound of violence. These three primary colors are simple yet at the same creates an odd but sad feeling when looking at his works.

When looking at most of Franz Marc's paintings he uses mostly blue, to show the masculinity within himself, and the expectations from the society that he has to bare. The animals that he paints could mean that he's comparing the humans with wild animals that are experiencing the same emotions and violence. That us humans are nothing more than animals and we don't have the choice but to live with it. In The Yellow Cow, yellow it portrays femininity but it also shows unsuitability. The cow in the painting moves freely but it looks as if its running from something. The bright color combination of red, blue, and green sets off as a background while creating a focal point of yellow. The urge to escape from noises of violence, and masculinity that he has dealt with portrays in the cow running through the fields -- just like Franz Marc.
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Color Theories: Matisse

 Henri Matisse, The Red Studio, 1911
Color Theories
BY NAYOUNG KWON

Henri Matisse, successfully covered three movements: Fauvism, Modernism and Post-Impressionism, and helped define the world of visual arts during 20th century. During his childhood, Matisse became interested in painting to the disappointment of his father, while his mother supported his career in art. His dedication towards art grew strongly, as he describes it being "A kind of paradise" and could be an escape from chaos events in his life.

The color red is passionate, powerful,vibrant and eye-catching. Matisse loves using vibrant colors like red because it shows dominance. His strive for success and desire to move forward in the world full of competition can be seen through the color. Matisse is courageous in terms of using red because he was able compliment red with other colors but also created it as a focal point instead of making it into distraction. In The Red Studio, the color red accomplished the resist of illusion of a visually cramped studio. Although the symmetric walls give satisfaction, Matisse throws off the boring and consistent flow by adding crooked chairs and table. His use of red is energetic but also calming, the style that he has developed over the years with the use of red, have attracted millions of individuals to fall in love with this painting.


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Color Theories: Van Gogh


Color Theories
By NAYOUNG KWON 

Vincent Van Gogh, a Dutch painter who focuses on post-impressionism became world renowned for creating pieces that reflects the every day life of what he sees. However his use of bold textures, themes, and the mood seems to give the feeling of mystery, especially in his choices of color. In mid point of his artistic career, Van Gogh's characteristics can be viewed through not the textures or themes but his colors. The colors show different emotions, and psychological behaviors that he suffered over the short years of his life.

The most common color that can be seen through out his art collections are blue. Psychologically speaking, people who use the color blue more often go through personal rejection, lack of communication and social skills, and they are easily discouraged. And the reason why the color fits well with Van Gogh is because he went through all those common traits. Even from his childhood, he could not have functioning relationships with friends or family. All the trauma and anxiety that he has experienced, he shuns them by painting.

Van Gogh successfully radiates the feeling of mellowness and melancholy in Starry Night with the use of yellow. The of warmth of the color reveals Van Gogh's distant relationship with the people around him, and how the sources of the light in the painting are far away. On a deeper level, the painting reveals Van Gogh's inner loneliness and the frustration towards himself and society.
  • 7:00 AM

Girl Sense



By NAYOUNG KWON
Girl Sense  
Motorcycle 

Oohyo, a Korean indie musician has brought candy like music to the listeners. Although she is not well known like the others, it's easy to fall in love with her unique flat and high toned voice. The album Girl Sense by Oohyo gives calm and indie vibe to anyone who listens to it. With her soft voice she harmonizes it with techno to give a bit of Jazzy feeling. Some of her other songs can bring out tears because she sing with 100% emotion which I like that about her... In her album she sings mostly about becoming an adult and the past she brought with her to this day. 10/10 would recommend. 

Editor's Note: Students happened upon a cache of hidden records with cover art from the Baroque masters. They were charged to investigate the vinyls. The above are their findings. 
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Sant'ivo

Borromini, Sant'ivo, 1642-1660
BY NAYOUNG KWON

Sant'ivo, also known as the Palace of Wisdom, was created by Borromini in 1642 and was completed in 1660. His determination for Sant'ivo was much more grand than other projects he worked previously on. He wanted to make Sant'ivo a place to show his respect to God and express his emotions and ideas. Borromini's inspiration was deeply personal, which helped Borromini successfully complete his ideal church. 

Just like people say, Simple is better. Sant'ivo was aimed to be designed in simpler form, but main focus was put into the dome and the lantern. The dome was created with simple shapes that included triangles, circles, semi-circles, and curves to create depth and pentagram of alternating curves. The Dome was decorated with sculpted angels and stars. The interior wall was covered in white and gray paint to show purity. Although the Dome is short, it rises up to the lantern which was also known as tempietto at the time. It was designed in spiral form to lead up to an altar. The altar is topped with stone sculptures of torches that symbolize knowledge. 

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The Burial of the Count of Orgaz

El Greco, The Burial of the Count of Orgaz, 1586-88
By NAYOUNG KWON

As we learned about Spanish artists in renaissance period in class, I came across some comparisons between the art styles from Spain and Italy. I believe that Italian artists painting style is more soft and delicate, while Spanish art styles are more elaborate and bold. Especially on delicate details the Spanish artists seem to be better at it. El Greco's The Burial of the Count of Orgaz can be a great example of bold color schemes and elaborate style in Spanish paintings. Although the color choices that El Greco chose aren't bright or colorful, the combinations of gold, and yellow gray makes the painting seem alive, but also mourning.  

I love that El Greco uses toned-down colors because not only it creates emotion, but also it seems modern. Its interesting that everything on this painting seems to some what mirror each other for example, the position of God is symmetric to the position of the Pope and Count if someone drew a line. The composition of this painting seem crowded, but the way each individual is laid out is pleasing to the eyes. 
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Young Sick Bacchus

Caravaggio, Young Sick Bacchus, 1593
By NAYOUNG KWON

Caravaggio's mythological characters are always seem more like humans rather than God. His more bright version of Bacchus is more youthful and cheerful with his brightly-colored cheeks. The model of this painting also looks just like random person from the streets.

Painted in 1593, another edition of Bacchus painting was added to Caravaggio's collection. More opposite and twisted version of Bacchus, the party and wine god. Bacchus's translucent skin, and pale lips gives the illusion of him slowly wilting, just like the grapes his holding and the plant crown he's wearing. The facial expression of Bacchus seems more mature and physically aged.
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Last supper

Last Supper, Tintoretto, 1592–94
BY NAYOUNG KWON

The roughness of the brush strokes and his dark color choices always gives me the chill whenever I look at his work. Tintoretto was his name and he was one of many painters that have influenced the world of art by sharing new ideas and techniques. Tintoretto has always been competitive and eager to become the best artist out of everyone.

Last Supper, which was the painting that was completed a few years before his death, became incredibly well known out of his other Last Supper series. With complex but flowing compositions and dim color choices, it feels as if each individuals are constantly moving.

Tintoretto experimented compositions and focused on individualization. People in his painting were dramatic and full of emotions just as if it was happening at the moment, just like Last Supper which feels crowded but at the same time pleasing to the eye. However, as time passed by Tintoretto's style takes a huge turn, mainly in color choices. His paintings began bright and silky but as he's eyesight slowly faded away, the colors became dark and dull. Although his colors have dimmed, the expressions and its intriguing composition never failed to impress people.  
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