The American Gothic

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Grant Wood, The American Gothic,1930
 The American Gothic, by Grant Wood, illustrates the freedom and democracy of The United States. Art Historians recognize The American Gothic as the American Emblem. American artists, including Wood, started to develop regionalism to demonstrate other parts of America. Painted in 1930, Wood paints a small rural town in Iowa. Using a father and a daughter, Wood presents a painting within realism and symbolic references of: religion, history, and politics.
Wood’s love for the Christianity shows in The American Gothic. The viewer can discover the church steeple and the chapel window placed in the house.  Grant paints the father’s overcoat to resemble the altar boys.  And art historians claim the pitch fork represents the Holy Trinity.   
Viewing the 1930 painting, the audience notices historic value taking place. The father and daughter live in America’s greatest depression. While poverty swept over The United States, The American Gothic implies the farmers protecting their land. During the 1930s, the Homestead Act. took place. Everything including the house has a homemade appearance. Gender roles can also be presented in Wood’s painting. The audience sees the daughter near the house in domestic clothing and the father in work clothes. The American Gothic has abundance of history images that shapes the overall painting.

Historians argue that 1930 politics mix into the painting. The American Gothic illustrates constant view of circles glasses, trees, and the daughter’s pin. Reading these circles imply a time of change (the Great Depression and fascism in Europe). The farmers’ faces indicate an anti-international affair tension.  And the viewers have to determine what the farmers’ emotions show.  
The American Gothic relates directly to the constitution “We the people.” Not we the government.  The painting represents the American emblem: because it allows the people to decide what this painting means.

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