Joseph Mallord Willliam Turner, The Burning of the House of Lords,  1835

By LILY JOHNSTON

In The Burning of the Houses of Lords and Commons, Joseph Mallord William Turner uses his knowledge of romanticism to re-tell the story of a smoldering evening witnessed as a face in a crowd of thousands from afar.

An ancient accounting system in the British Parliament, not having been used since 1826, left two heavy bundles of tally sticks to be disposed of. When the highly-qualified Clerks of Works (tradesmen) were asked to carry out the duty, they decided the stoves in the basement quarters of the House of Lords ought to do the job. The same evening, Mrs. Wright, deputy housekeeper, while giving a tour, noticed the floor being uncomfortably hot and smoke rising right out of the floorboards. The workmen reassured her that there wasn't any reason to panic and that they would put out the fire when the job was done by 5 p.m. Unfortunately, The House of Lords was left with a ticking over-heated bomb.

By 6:00 p.m., Mrs. Wright heard screams coming from outside saying that a fire was taking over the Parliament. An hour later, the streets by the Thames would be flooded with every London dweller to witness the flames engulf both Parliament buildings. Other unfortunate surrounding buildings would also be consumed. Soldiers held lines secure around the fire, as the masses of citizens swelled to uncontrollable numbers.

Quickly on site, Turner, arrived, eyes open wide, with pencil and paper in hand. He would later turn these sketches into out-of-proportion paintings. Attempts to put out the fire failed due to a low tide, prohibiting enough water to be pumped to land and make fire-fighting gear too difficult to haul on the river.

The fire finally subsided, but it consumed all it could manage. Turner over-exaggerated the power of the fire to demonstrate and romanticize earthly elements overcoming man. He would go on to paint many different versions of the Burning Houses with heavy contrasting burnt oranges and smokey grays.

The fire-fighting efforts did however manage to save Westminister Hall, the Jewel Tower and the Undercroft Chapel. And here is something to think about: while Turner depicts nature beating civilization, how would God play into all this church saving?