Miss Elsie Palmer
7:00 AM
John Singer Sargent, Miss Elsie Palmer, 1889-1890 |
By KATHERINE GRABOWSKY
Her graceful, rose-colored dress drapes over her as she sits
poised and pretty. Yet the solemn expression on her face seems to draw all the
attention of the viewer’s gaze. Maybe this was John Singer Sargent’s intention when
he painted 17 year-old Elsie Palmer in 1889-1890. His work encapsulates every
message conveyed through Deborah Davis’s Strapless.
Just like John Singer Sargent’s Madame
X, Miss Elsie Palmer makes a statement with its enormous size. Miss Elsie
Palmer was born in 1873 to a wealthy family from Colorado. Her family then
moved to England to be with her father's family. Just by Elsie’s
outfit, it is apparent that she was born as a well-off child. Every aspect
of the painting reminds the viewer that though she was born as privileged, the pains of her sadness shine through the clothing. Barbara Groseclose’s
“Portraiture” addresses the idea of wealthy white women as synonymous with
class definition. Elsie Palmer embodies the spirit of social division.
Elsie’s eyes seem tired and uninterested. Her mouth does not
show even the smallest inkling of a smile, and her back stands up a little too
straight. Sargent seems to capture the feeling of being trapped in this life of
luxury. Elsie clearly has other activities she would rather be doing than to be
subjected to a mere object enclosed in this canvas. Similar to Mrs. Virginie
Gautreau in Madame X, Elsie’s life of
leisure and luxury does not always come with happiness. Both women struggle
with imprisonment to society, though Mrs. Gautreau seems to embrace the
captivity of life as a socialite. Though we can only see a small sliver of the area,
the tone of the painting seems to say that silence overtakes the large, empty room.
Her eyes speak for themselves. The viewer can get lost in her vacant gaze that
appears to hold no emotion, but actually tells a story. They tell the story of
a young girl trapped between childhood and womanhood, bound inside the
restraints of society. Elsie Palmer may sit and dress as the perfect portrait
model, but the emotion in her face shows the viewer the hidden pain in this
life of “ease.”
0 comments