Fêtes and Folly: Dinner Party

Fernando Botero, Dinner Party, 1994
BY MELISA CAPAN

What celebrates fetes and follies quite like a scandalous Colombian dinner party?

That’s right, nothing. Botero once again brings out his, not fat, but voluminous figures. 

Whether plucking a sweet tune from a guitar, or simply drinking in complete nudity, these figures are full of happiness as they take a minute to indulge in the joy of life. Wine is endlessly poured, cigarettes are lit and a tiny servant woman skitters around to fetch more cocktails… La fiesta nunca se detiene! 

Throughout Fernando Botero’s paintings people appear bloated and full while his color palette continues to be warm. Dinner Party was painted in a time of peril in Colombia, as his hometown of Medellin became covered in drug-trafficking. This exact year, Botero was a target of a failed kidnapping... As one of Colombia's most renowned artists, he sure knows how to share some folly with the world. Enjoyment can be found even in darkest periods. The good vibes radiate from the Dinner Party and la fiesta continuará.
*** Editor's Note: Students developed the topic of Fêtes and Folly to chronicle elegant celebrations, bad dates, late nights, or other things related to that time in Spring where barbaric yawps can be heard from backyards, beaches, or the more familiar rooftop. Enjoy their revelry, cheeky overstatement, and occasional tales of ribaldry over the next couple of weeks.
  • 7:00 AM

Still Life With Green Soup

Fernando Botero, Still Life with Green Soup, 1972
By EMMA SHAPIRO

The Soup of Venus
By James Tate

This soup is cold
and it needs something
you probably didn't follow
the recipe, you were
in a hurry and wanted
to surprise me.
That was sweet of you
but you forgot
and I don't like
cold soup.
You might try adding
one bay leaf
while you are in there.
The salt is on the table
and I will experiment
with that myself.
The parsley doesn't 
taste much but it
does improve
the appearance.
You used to make
such good soup.
I always bragged
about your soup.
I think that's what
originally attracted me
to you, that hot soup
you used to make.
I loved that soup.
Do you still have
that recipe?
Well this tastes
a little better now,
lukewarm soup
is my second favorite.

Editor's Note: Students were asked to match a poem of their choice with a painting of their choice. The relationship between the two shall be determined by the viewer/reader.

  • 7:00 AM

Poodle

Ferdinando Botero, Poodle, 1971
By ALEXA BIRT

Mom, I gift you Poodle not only to give you a chuckle, but also as an intervention. You feed Rudy (her own grey poodle) way too many treats. At the rate you're going, his form has the potential to resemble that of the overweight dog in Poodle. Please, do us all a favor and stop the madness.
 
Poodle, a painting by Ferdinando Botero, depicts an obese grey poodle resting on an ornate carpet. This work completed in 1971 can be considered as "Naïve Art," meaning that it includes childlike simplicity in its manner. This naïveté can be demonstrated in either or both subject matter and technique. While some artists who create "Naïve Art" may have little to no artistic training, others have studied classical art or received university training.
 
Ferdinando Botero, born in 1932, was always fascinated with visual art and at the age of 16 had his first illustrations published in a Columbian newspaper. As an adult, he traveled with a group of artists around Barcelona and moved to Paris in 1953, where he spent much of his time at the Louvre. Since then, Botero has earned international recognition for his paintings and sculptures.
 
Botero's work has manifested its own signature style, called "Boterismo," in which the subject matter is exaggerated to critique politics or create humor. In Poodle, the subject matter is by far larger than your average poodle. In today's culture, the breed is typically regarded as prissy and feminine. Looking at Poodle, you might laugh, then feel bad for the poor animal, and maybe even be a little grossed out. The innocence of the small yellow bows adorning the poodle's ears add to the contradicting emotions portrayed by this painting.

To Rudy, I want to apologize for all the times I called you fat. You're not fat, just a little too "Boterismo."

Editor's Note: Students were asked to give a painting to someone or something they cared for. These are their moving responses.
  • 7:00 AM

Still Life with Green Soup

Fernando Botero, Still Life with Green Soup, 1972
By MELISA CAPAN

Mi amor y Bengal bella, Dolce,

It’s almost as if Fernando Botero made this for you… 
Naturaleza Muerta con Sopa Verde es mi regalo para ti.

This particular cat embodies Botero’s signature style of “Boterismo,” just as you will while I continue to feed you fancy feast twice a day. Trust me your future sinuous form will only enhance your sublime enchantment. Even 1970s cats of surrealism gallop across dinner tables in search of a little taste. Alas, forgive me if you believe me to be calling you chubby or fat… You are simply voluminous! Botero says,

“What I say is that they are not fat, but voluminous. If I make a fruit, a landscape, an animal, a man, anything, it is a deformation to exalt volume. So I do not see them as fat, but as voluminous. Fat can also be Michelangelo, Masaccio or all Florentine art that is voluminous.”

Botero brings intense color and volume to every day activities in Latin America. He fattens is characters to give them the sensuality of form. Figures are painted lightly in the center and then darkened around the edges thereby altering the laws of perspective. So, Dolce, please continue your love for fancy feast and mischievous adventures on my dinner table… Your form remains purrrfect to me.

Meow. Meow. Tal vez este es el destino. Mi gatita voluminoso, este pintor colombiano hizo esta obra de arte para ti.

Editor's Note: Students were asked to give a painting to someone or something they cared for. These are their moving responses.
  • 7:00 AM