At the Races in the Countryside

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Edgar Degas, At the Races in the Countryside, 1869
Back in the 1870s day, Cassatt and Degas were a dynamic duo. The American full of spitfire and creative urges fell in love with his paintings and later wrote, “The first sight of Degas’ pictures was the turning point in my artistic life.” The two maintained a lasting friendship that provided artistic and mental support, despite their often clashing personalities.

Degas inspired Cassatt, who continued to venerate his work throughout her own artistic career. This becomes evident in Driving (1881), a painting that draws heavily upon Degas’ At the Races in the Countryside (1869). Cassatt’s interpretation focuses on the family within the carriage, carrying her maternal motif, while Degas incorporates more of the surroundings.

The key difference between the two pieces is color. Cassatt creates a dark background, keeping her figures light and rosy, while Degas paints a light and airy background contrasted by the dark horse and carriage. Degas’s light blue and pea green are superior to Cassatt’s dark tones. Additionally, Degas expands the painting and including more than just the main subjects, creating a more interesting composition. Unfortunately for Cassatt, the grasshopper has not surpassed the master.

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