Instadeath: Jesus Christ and the Good Thief
7:00 AMInstadeath
The Good Thief
Curated by Alex McDonald
Titian, The Good Thief, 1563 |
*Curator’s Note: The paintings
within this collection were taken by the author to be artwork for the album covers
of a fictional metal band called Instadeath. The following is an excerpt from
the script to Instadeath’s music video for their hit single, “The Good Thief.”
This single can be found on their third studio album of the same name, which
features Titian’s Jesus Christ and the Good
Thief as the cover art.
Titian’s The Good Thief consumes the screen. Fog emits
from the grey in Titian’s painting that connects CHRIST and THE GOOD THIEF,
showing their connected suffering. The fog also makes the sweeping motion of
the sky behind the crosses more noticeable. The motion brings the force of the
painting down from the Good Thief’s legs, towards Christ’s feet, and finally upwards
into the sky; symbolizing their ascension to come. Though, Titian shows Christ’s
three-day descent into Hell by having this sweeping motion lead into a pitch-black
sky and by having Christ’s gaze fixed downward.
PAN OUT: The whole
hillside of Golgotha can be seen now. Thousands of people celebrate the death of
Christ as a select few weep at the feet of his crucifix. Suddenly the Good
Thief starts moving his mouth.
CLOSE UP: His mouth
whispering inaudible words.
The fog drifts between
Christ and the Good Thief, transporting the Thief’s message to Christ.
CLOSE UP: Christ’s
ears, the inaudible whispering echoes through them. Suddenly, a slow eerie melody
begins.
WIDE: Golgotha. The crowds
roars as Instadeath front man JACQUES PADAVONA, dressed in a brown robe, steps
in between Christ’s and the Good Thief’s crosses. He sings.
PADAVONA (singing)
He stole for fame and wealth
with a sense of shame and stealth.
To hide his sinner’s eyes
he constructs the keenest lies
until the night he was found
to be one of Satan’s hounds.
with a sense of shame and stealth.
To hide his sinner’s eyes
he constructs the keenest lies
until the night he was found
to be one of Satan’s hounds.
Lightning cracks the
sky, coinciding with the beginning of a hellish guitar riff. In the brief second
of darkness, the rest of the band appears around the feet of the crucifixes.
All are dressed in brown robes and play their instruments.
PADAVONA (screaming)
They say he fostered remorse
rotting in his cell,
but he had to pay, of course,
for the sea of wrong he could not quell.
rotting in his cell,
but he had to pay, of course,
for the sea of wrong he could not quell.
CU: The Good Thief, writing in pain on his cross.
PADAVONA (screaming)
So they hung him on the cross
next to his new boss.
Who was feeling weak
and trying to stay meek.
next to his new boss.
Who was feeling weak
and trying to stay meek.
CU: Another cross on
the opposite side of Christ’s. THE BAD THIEF hangs there. He has devil horns
protruding from his curly hair and scars and deformities cover his body.
PADAVONA (screaming)
While a devil told him no.
You don’t have to die here.
You could free us.
The end doesn’t have to be near.
You don’t have to die here.
You could free us.
The end doesn’t have to be near.
The shot mimics Titian’s
painting like the opening shot. The Good Thief, now screaming unintelligible
sounds, stares intently at Christ.
PADAVONA (screaming)
But Christ cut His losses.
Watch their blood seethe
on the crosses.
For even Christ listened to a good thief.
Watch their blood seethe
on the crosses.
For even Christ listened to a good thief.
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