Structure and Paintings: School of Athens
7:00 AMStructure and Paintings
Analyzing Architecture and Perspective within Paintings
Curated by Max Cantu-Lima
Raphael, School of Athens, 1509-1511 |
"A object, surface, or space usually will feel more balanced or whole when its secondary articulation runs counter to its primary geometry."
#88, 101 Things I Learned in Architecture School, Matthew Frederick
Raphael widens the space he was restricted to working in, making the work seem larger than its true size. He not only increases the size, but also extends it further back creating even greater depth. One indication as to the talent and genius of Raphael, are the gaps Raphael places between the barrel arches. He's creating a more complex image by doing so, separating the perspective, almost vertical, lines with horizontal ones. He does this in sets of three. This not only creates more space, but more appealing space, while also allowing the sky to peek through. It's successful because of the way he utilizes color and shadow, capturing how light plays off the walls and columns.
This painting made its way into this collection, like other paintings, for its attention to detail. Raphael became a classical master because of this painting. With this statement, I am not saying his other work lacks talent but rather this painting has so much of it in one space it has become his most remembered. Both symbolic and executed well, Raphael's complexity creates a work that the viewer could analyze for hours.
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