Jean-Francois Millet, La Méridienne, 1866

Jean Francois Millet, famous for his paintings of farmers and field workers, sets a different tone in this painting, The Nap. The turmoil and hardships of France’s lower class agricultural workers is often depicted in Millet’s paintings through his own experiences. The paintings, which shocked the upper class that viewed them from the comfort of cushy Paris art galleries, displayed workers in the midst of their labor. The Nap shows a couple resting in the shade of a bale of hay as the day wears on. Tools for haying lay next to the couple as well as the man’s shoes. The scene seems almost intrusive, as if somehow we have stumbled upon the sleeping workers on their bed of hay and should back away slowly as not to wake them.

The most striking this about this painting is how un-striking it is. The muted colors and the hazy quality make for a peaceful sight. The style of the painting is similar to typical Impressionist style, with that characteristic out of focus haziness and defined brushstrokes. Millet painted the painting towards the end of his life at the age of 51 (he only lived to be 60) and the influences of other prominent Impressionists can be seen in his brushstrokes. The qualities of La Meridienne are a far move from his earlier works (such as The Gleaners, in which the figures are much clearer and brushstrokes less defined). Millet’s move towards typical Impressionism does not make his work any less unique; he still is among the only Impressionists to paint domestic laborers.

Vincent Van Gogh, La Sieste (d'après Millet), 1889

Vincent van Gogh had always been an admirer of Millet, often writing letters about his fondness for Millet’s subjects, and Millet’s influences can be seen in van Gogh’s early work. While committed to an insane asylum in the late 19th century, van Gogh made copies of twenty-one of Millet’s works. In this particular copy of Millet’s The Nap, van Gogh has made the painting his own with more saturated colors and more prominent brushstrokes, as well as switched the composition of the painting. Both paintings are beautiful, whether viewed separately or alone, however something about van Gogh’s vibrant rendition is even more captivating than Millet’s original sleepy creation.